Plato (-428–-348) is represented here by 32 public-domain titles, including Alcibiades I, Alcibiades II, and Apology. This page is a shelf list: the books are read on Open Library, not stored here.
The Republic is Plato's most famous work and one of the seminal texts of Western philosophy and politics. The characters in this Socratic dialogue - including Socrates himself - discuss whether the just or unjust man is happier.
Critias (; Greek: Κριτίας), one of Plato's late dialogues, recounts the story of the mighty island kingdom Atlantis and its attempt to conquer Athens, which failed due to the ordered society of the Athenians. The latter was possibly never written and the ending to Critias has been lost.
Timaeus (; Ancient Greek: Τίμαιος, romanized: Timaios, pronounced [tǐːmai̯os]), written c. 360 BC, is one of Plato's dialogues, mostly in the form of long speeches by Timaeus and Critias. Timaeus is perhaps most noteworthy for its argument for the existence of a "craftsman".
Lysis (; Ancient Greek: Λύσις, genitive case Λύσιδος, showing the stem Λύσιδ-, from which the infrequent translation Lysides), is a dialogue of Plato which discusses the nature of philia (φιλία), often translated as friendship, while the word's original content was of a much larger and more intimate bond.
In it, Socrates describes to his friend Crito a visit he and various youths paid to two brothers, Euthydemus and Dionysodorus, both of whom were prominent Sophists and pankrationists from Chios and Thurii. The Euthydemus contrasts Socratic argumentation and education with the methods of Sophism, to the detriment of the latter.
Symposium depicts a friendly contest of extemporaneous speeches given by a group of notable Athenian men attending a banquet. The men include the philosopher Socrates, the general and statesman Alcibiades, and the comic playwright Aristophanes.
Cratylus ( KRAT-il-əs; Ancient Greek: Κρατύλος, Kratylos) is the name of a dialogue by Plato. Most modern scholars agree that it was written mostly during Plato's so-called middle period.
In Plato's Ion (; Ancient Greek: Ἴων) Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession.
The Phaedrus was presumably composed around 370 BC, about the same time as Plato's Republic and Symposium. Although the dialogue appears to be primarily concerned with the topic of love, the discussion also revolves around the art of rhetoric and how it should be practiced, and dwells on subjects as diverse as metempsychosis (the Greek tradition of reincarnation) and erotic love, and the nature of the human soul shown in the famous chariot allegory.
In the dialogue, Socrates and Euthyphro attempt to establish a definition of piety. This however leads to the main dilemma of the dialogue when the two cannot come to a satisfactory conclusion: Is something pious because the gods approve of it?
Meno begins the dialogue by asking Socrates whether virtue (in Ancient Greek: ἀρετή, aretē) can be taught, acquired by practice, or comes by nature. In order to determine whether virtue is teachable or not, Socrates tells Meno that they first need to determine what virtue is.
Specifically, the Apology of Socrates is a defence against the charges of "corrupting the youth" and "not believing in the gods in whom the city believes, but in other daimonia that are novel" to Athens (24b). Among the primary sources about the trial and death of the philosopher Socrates, the Apology of Socrates is the dialogue that depicts the trial, and is one of four Socratic dialogues, along with Euthyphro, Phaedo, and Crito, through which Plato details the final days of the philosopher Socrates.
It depicts a conversation between Socrates and his wealthy friend Crito of Alopece regarding justice (δικαιοσύνη), injustice (ἀδικία), and the appropriate response to injustice. Crito stays with Socrates' imprisonment, just after the events of the Apology.
The First Alcibiades, also referred to as Alcibiades Major and abbreviated as Alcibiades I (Greek: Ἀλκιβιάδης αʹ), is a dialogue ascribed to Plato, depicting Socrates in conversation with Alcibiades.
It is set in the Stoa of Zeus Eleutherios, and features Socrates in conversation with Critias, Eryxias, and Erasistratus (nephew of Phaeax). The dialogue concerns the topic of wealth and virtue.
The speakers are Socrates and Menexenus, who is not to be confused with Socrates' son Menexenus. The Menexenus of Plato's dialogue appears also in the Lysis, where he is identified as the "son of Demophon", as well as the Phaedo.
Parmenides (Greek: Παρμενίδης) is one of the dialogues of Plato. Parmenides is widely considered to be the most challenging and enigmatic of Plato's dialogues.
Its interlocutors, led by Eleatic Stranger employ the method of division in order to classify and define the sophist and describe his essential attributes and differences in relation to the philosopher and statesman. Like its sequel, the Statesman, the dialogue is unusual in that Socrates is present but plays only a minor role.
It presents a fictional conversation between Plato's teacher Socrates and two young Athenians, Philebus and Protarchus. The main topic is the ethical evaluation of pleasure.
The Laws (Ancient Greek: Νόμοι) is Plato's last and longest dialogue. The conversation depicted in the work's twelve books begins with the question of who is given the credit for establishing a civilization's laws.